That night, a seven foot wall of water hit Dundrum Town Centre, the resultant flood rolling down the Spanish steps at Harvey Nichols and into the scene dock and dressing rooms of the theatre, through the ceilings and walls. The green room which had been decorated just ten weeks earlier was destroyed.

On the 18th of Feb, The Mill Theatre held a fundraising benefit night to raise funds to fully renovate all areas affected and restore them to their previous comfort. The show was sold out, and featured talent like Joe Conlon, Eoin Cannon, Alison Vard Miller and many more special guests. AMP Sound Systems was proud to provide equipment and a sound engineer for the event.

We have not had time to edit and clean it up, but here is a raw desk recording of the show. Have a flick through it and see what you missed!

The whole file must load before you can skip through it, so please be patient!

The song (which is available now on iTunes) has been on repeat in the warehouse for the past few days, and we will do anything we can to support this Irish artist on his journey to Azerbaijan and beyond. You too can help Andrew climb up the charts by purchasing the single for only 99 cent on iTunes by clicking here.

Best of luck Andrew!

When DiGiCo introduced the SD9 – a complete, integrated system, which includes the mixing surface, a D-Rack digital stage interface and CAT 5E digital multicore, with the additional ability to simultaneously record 56 channels – we were immediately interested.

After reviewing many other digital mixing solutions we quickly found that the DiGiCo SD9 ticked all the boxes.

It’s functionality and feature’s gave us everything we needed for the continued pursuit of delivering the highest quality audio to our clients. The audio quality surpassed that of any other console we tested. The excellent sound quality of the SD9 was the main reason for us purchasing this desk. It’s ease of use let our engineers get straight to what they do best – mixing your show – rather than fighting through pages and menu’s. It’s small frame size and portability ensures that we do not need to increase prices to our customers in the form of extra staff or transport costs.

The excellent sound quality of the SD9 was the main reason for us purchasing this desk.

It is planned that the SD9 will primarily go out to our musical theatre events as it is perfectly suited to the job. The neatness and aesthetics of the board lets it fit into your theatre without making too much of a visual impact or taking out too many audience seats. The well thought out snapshot features also help with complicated shows. However, this will not be it’s sole purpose. The board will be attending many other events and we also look forward to taking it out on a rock ‘n’ roll tour early next year.

AMP Sound Systems would like to sincerely thank James Lawford of DiGiCo for taking the hours of phone calls to ensure any question we may have had were answered. We would also like to thank Michael, Sean and Gerry from Rea Sound (the Irish distributors for DiGiCo) for allowing us to take the SD9 out for a demo and ensuring our purchase went without a hiccup.

Yeah it's pretty!

The budget has been set aside for the new console – but the search continues to try to find the best performing mixing platform that will add to our already impressive inventory of pro audio equipment. We need something with the highest audio quality, 100% reliability, and a small footprint to keep staff costs down for our customers.

And no more tape!!

So we decided to take the Avid (formerly Digidesign) VENUE SC48 out for a test drive. It ticked all the boxes we were looking for – except one. The console was beautifully simple to use. 2 of our engineers who had never seen the desk before took to it like a duck to water. The audio quality blew the Yamaha’s out of the water. And to keep with the H20 references, we sank like a stone when we tried to lift it! The desk was beautiful, but just too heavy! It immediately added a bill for another staff member for the day, and we were not happy with passing this cost onto the customer.

Easy to love!

We will certainly take it out as much as we can on shows where we have the staff anyway, but for the moment, the search for a compact, small/medium size digital desk continues!

But on the bright side, it does have an awesome Vegas mode! Check out all the flashing lights and buttons in the video below!

Enjoy!

The rig consisted of a groundstacked array of 4 D&B Q7′s on top of 2 QSubs on either side of the stage, with a centre cluster of Meyer HP600′s. FoH was mixed on a Yamaha M7CL. Wedges were a combination of D&B Max12′s and EV sxA250′s.

Click on an image below to enlarge!

The band graced the Circus Tent with a completely new and improved set list, which also included some stunning new tracks. But of course didn’t neglect to open the set with their ever powerful “Howrya Folk” and slip in “Be Easy” somewhere in the middle!

Music by The Eskies has the creativity, musical talent and catchyness that will see them sneaking into the charts very soon.

Unfortunately, I had to reset my “time without analogue desk” counter, as the Front of House mixer was the Midas Venice 320. A fine console, but an analogue console! However I don’t mind this time, as I would have done anything to mix the gig anyway!

Keep your eye on The Eskies. Get to one of their gigs if you can!

http://www.theeskies.com/

Listen to “The Eskies – Be Easy“

The rig consisted of a Funktion One PA for FoH, a M7CL-32 at mix, and EV sxA250′s for wedges.

View the video below to see the place from our perspective!

A good friend of mine, Pat Nolan (Barry in Fair City) is joining a team of over 100 (motorcyclists, pillion passengers & support) to tackle the infamous / historic “mother of all roads” – ROUTE 66.

2,448 miles of unforgiving highway crossing Illinois, Missouri, Kansas, Oklahoma, Texas, New Mexico, Arizona and California.

The gig was to help them raise funds for Temple Street Children’s University Hospital in Dublin. It was held in The Mill Theatre, Dundrum and it was a night of music, magic, comedy, acting, and much more! Phil Cauly was the MC, and welcomed guests such as Pat Fallon, Dana Davis, Brendan Burke, Dave Duffy and many more! Was a fantastic show.

Unfortunately though, the theatre only had an analogue mixing desk – the Allen & Heath GL2400. Nice desk, but an analogue desk! Although it is like riding a bike, I would obviously never forget how to mix on one of these bad boys. But I did miss the features. I missed having everything I could possibly need at my finger tips. I missed having a screen telling me exactly what is going on with my system. I missed having an EQ section that would do what I wanted it to do, rather than be confined to the bandwidth and frequencies that the EQ on the board had.

The show still sounded great, but it made me realize that investing so much in digital consoles was worth every penny.

If you made it along to the show, thank you very much for your support. However, if you could not make it – you can still support Pat by donating to this very good cause at http://www.mycharity.ie/event/patnolansevent/

Luan Parle on Stage

The stage outside Wicklow Gaol rocked the town with the help of 4 subs from AMP Sound Systems. Luan Parle played a beautiful set as expected. Was thoroughly proud that our equipment shared a stage with Luan once again. An array of D&B Q1′s from Acoustik completed the rig.

The sun kept shining and made for a magical day!

M7CL at Mix position

Eoin & Luan after the gig

Aladdin in Greystones Theatre

I had the amazing pleasure of doing the sound for St. Brigid’s School’s production of Mary Poppins and Aladdin! It ran for 2 nights in the Greystones Theatre. Usually these kids’ show are very samey, but this one blew me away!

The “Junior Choir” opened the night with their production of Mary Poppins, going through all the songs from Supercalifragilisticexpialidocious! to A Spoonful of Sugar. They belted out the tunes and narrated the story before the interval when the “Senior Choir” got ready to perform Aladdin!

Not a normal Aladdin Script!

This was no normal Aladdin script though – this was a specially adapted version called Aladdin Jr. It was the funniest thing I have ever seen in my life! It generally followed the same story, but the language was a lot easier and it was much funnier – although the lead characters still had a huge amount of lines to learn! Keep in mind that these kids are all under 12!

The cast of Aladdin performing in Greystones Theatre

The Genie was hilarious – and somehow was always the one who ended up having to ad-lib to cover up silences! Aladdin and Jasmine both blew the audience away with their singing on “A Whole New World”. The narrators remembered a very large chunk of the script and kept us informed of all the developments in Aladdin’s love affair!

I just have to commend all the kids and teaching staff that were involved in that production! I would have watched it a few more times if I could have!

Now the fun bit!

Mix position which got surprisingly busy at times!

The 4 main characters wore Sennheiser mics, and took care of them very well! I was slightly worried about giving packs to kids this small, but they were impeccably behaved!

The rest of the cast were picked up by4 AKG mics across the front of the stage, as well as 3 more hanging above the stage.

The narrators used one of 3 SM58′s across the front of the stage. These were also used for some solo songs by cast members who were not individually mic’d.

The band consisted of keys, 2 guitars, bass, drum machine and a flute.

I was mixing on a Yamaha M7CL digital desk, and ended up using 28 channels in total!