This means that we have equipment and engineers available this week. If you have been let down by your sound company due to the adverse weather conditions, or are a sound hire company yourself and need us to cover one of your gigs, please do not hesitate to give us a ring on (01) 524 2720 and hopefully we will be able to help you out.

Thanks to Eoin at AMP Systems for providing a wonderful sound system for our party in Solas, Dublin. He braved a snow blizzard to get it out to us, so I really appreciate their dedication to their clients. He was always friendly, helpful, and flexible.

Thanks again!

– Louise Bernstein

The rig consisted of a groundstacked array of 4 D&B Q7′s on top of 2 QSubs on either side of the stage, with a centre cluster of Meyer HP600′s. FoH was mixed on a Yamaha M7CL. Wedges were a combination of D&B Max12′s and EV sxA250′s.

Click on an image below to enlarge!

The video below shows the terrible effects of a bored sound engineer:

The band graced the Circus Tent with a completely new and improved set list, which also included some stunning new tracks. But of course didn’t neglect to open the set with their ever powerful “Howrya Folk” and slip in “Be Easy” somewhere in the middle!

Music by The Eskies has the creativity, musical talent and catchyness that will see them sneaking into the charts very soon.

Unfortunately, I had to reset my “time without analogue desk” counter, as the Front of House mixer was the Midas Venice 320. A fine console, but an analogue console! However I don’t mind this time, as I would have done anything to mix the gig anyway!

Keep your eye on The Eskies. Get to one of their gigs if you can!

http://www.theeskies.com/

Listen to “The Eskies – Be Easy“

I replaced the audio on this video, as I have not yet got permission from the bands to use it, but the video should give you a quick overview of the buzz at the festival this year.

Monitors were D&B Max 12′s and the console was the Yamaha M7CL.

The rig consisted of a Funktion One PA for FoH, a M7CL-32 at mix, and EV sxA250′s for wedges.

View the video below to see the place from our perspective!

Enjoy! And don’t forget to click the Share button below if you know others who underestimate the work involved!!

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On the 5th of May 2010, AMP Sound Systems was booked to provide the PA system and crew for a show by the Dublin Glee Choir in The Bank, Newry. I knew this would be a great gig, so decided to engineer it myself. My day went like this:

It all starts the night before at the warehouse...

...cases are picked and loaded...

...the D&B Max12's will be used as monitors...

17:22 – All the equipment is pushed into the venue

17:46 - Speakers are positioned

17:52 - The backbone of the wiring is installed

18:21 - A rough layout of the stage is created

18:21 - Mic stands placed on stage

18:22 - Stage coming together

18:28 - Mix position is set up

18:33 - Things start to get patched in

18:50 - Studio Manager is connected...

...and the show is loaded

20:15 - Wiring on the stage is complete

20:15 - Connected. Now to start tidying up.

21:20 - Leads tidied up and taped where required

21:20 - The band arrives...

21:25 - ...and sort out their positions

21:29 - Souncheck starts

21:41 - Rough levels are set and a song is run

21:56 - Final adjustments before the doors are opened

22:22 - Mix position tidied

22:23 - And show is saved as a backup

22:23 - Then lots of muted channels as we wait...

23:13 - Time to check out the controls of those rather cool screens!!!

23:13 - And say hello to the DJ who was playing music dangerously loud

00:23 - Quick check that I am receiving signal on all channels

00:25 - And the place starts filling up

01:05 - The choir arrives on stage

02:17 - Starting to get loud now!

The last photo of the stage, as we were too busy packing up the gear to take photo's!

04:03 - Yes, that does say I will be home at 5:59 AM!

04:17 - On the A1 just about to leave the North of Ireland

04:18 - How depressing - the sat nav says turn left in 92.1 km!

04:41 - The fact that the sun is coming up just makes you realise that it is in fact the next day...

...so its Red Bull time!!!

05:47 - The sun is fully up now, so I just want to go to bed!

06:16 - Does this really need an explanation???

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A good friend of mine, Pat Nolan (Barry in Fair City) is joining a team of over 100 (motorcyclists, pillion passengers & support) to tackle the infamous / historic “mother of all roads” – ROUTE 66.

2,448 miles of unforgiving highway crossing Illinois, Missouri, Kansas, Oklahoma, Texas, New Mexico, Arizona and California.

The gig was to help them raise funds for Temple Street Children’s University Hospital in Dublin. It was held in The Mill Theatre, Dundrum and it was a night of music, magic, comedy, acting, and much more! Phil Cauly was the MC, and welcomed guests such as Pat Fallon, Dana Davis, Brendan Burke, Dave Duffy and many more! Was a fantastic show.

Unfortunately though, the theatre only had an analogue mixing desk – the Allen & Heath GL2400. Nice desk, but an analogue desk! Although it is like riding a bike, I would obviously never forget how to mix on one of these bad boys. But I did miss the features. I missed having everything I could possibly need at my finger tips. I missed having a screen telling me exactly what is going on with my system. I missed having an EQ section that would do what I wanted it to do, rather than be confined to the bandwidth and frequencies that the EQ on the board had.

The show still sounded great, but it made me realize that investing so much in digital consoles was worth every penny.

If you made it along to the show, thank you very much for your support. However, if you could not make it – you can still support Pat by donating to this very good cause at http://www.mycharity.ie/event/patnolansevent/

Aladdin in Greystones Theatre

I had the amazing pleasure of doing the sound for St. Brigid’s School’s production of Mary Poppins and Aladdin! It ran for 2 nights in the Greystones Theatre. Usually these kids’ show are very samey, but this one blew me away!

The “Junior Choir” opened the night with their production of Mary Poppins, going through all the songs from Supercalifragilisticexpialidocious! to A Spoonful of Sugar. They belted out the tunes and narrated the story before the interval when the “Senior Choir” got ready to perform Aladdin!

Not a normal Aladdin Script!

This was no normal Aladdin script though – this was a specially adapted version called Aladdin Jr. It was the funniest thing I have ever seen in my life! It generally followed the same story, but the language was a lot easier and it was much funnier – although the lead characters still had a huge amount of lines to learn! Keep in mind that these kids are all under 12!

The cast of Aladdin performing in Greystones Theatre

The Genie was hilarious – and somehow was always the one who ended up having to ad-lib to cover up silences! Aladdin and Jasmine both blew the audience away with their singing on “A Whole New World”. The narrators remembered a very large chunk of the script and kept us informed of all the developments in Aladdin’s love affair!

I just have to commend all the kids and teaching staff that were involved in that production! I would have watched it a few more times if I could have!

Now the fun bit!

Mix position which got surprisingly busy at times!

The 4 main characters wore Sennheiser mics, and took care of them very well! I was slightly worried about giving packs to kids this small, but they were impeccably behaved!

The rest of the cast were picked up by4 AKG mics across the front of the stage, as well as 3 more hanging above the stage.

The narrators used one of 3 SM58′s across the front of the stage. These were also used for some solo songs by cast members who were not individually mic’d.

The band consisted of keys, 2 guitars, bass, drum machine and a flute.

I was mixing on a Yamaha M7CL digital desk, and ended up using 28 channels in total!